As I am that mysterious, mythical, magical beast known as the 'successful published author', I get frequent questions about how I do anything and everything. While I wait on my publisher to get back to me, I might as well share the process I've been going through this month.
When last we left off, I finished the manuscript on the book I personally call At Least I Didn't Blow Up OUR Moon, but when I'm sure the marketers will name Please Don't Tell My Parents I Blew Up The Moon. They have a really pretty font picked out, and everything. I wish I could resent their decision, but I'm sure they're right and it's necessary so people will identify the series. I just wish it wasn't necessary!
Now, personally, I go through several stages after that. First, I take a break and try to write something else to get my thoughts out of any rut they may have fallen into. This time, no dice. I felt SO much pressure that I still haven't shaken it off. Professionally, this book is super important! I started my edits about three days after finishing the manuscript. In the personal edit process, I make sure continuity is consistent, add foreshadowing to major plot events, and particularly make sure that everyone has an interesting, consistent voice. Especially the narrator. This is SUPER important in making a book compelling. That process was really slow, like 10% of the book a day, so it took well over a week.
On a related note, I must make a confession. We're re-editing Please Don't Tell My Parents I'm A Supervillain, and that will give me an opportunity to fix a gigantic, glaring, actually important continuity error. There's no point in hiding it. I changed my mind about Claire's hair color from golden blonde to platinum blonde (like her mother, see?) in the very first chapter, and forgot I'd done it! It's subtle in the first book, but it's an active plot point in the second, so I'd gosh darned well better fix it. Derp derp derp. Bad author, no cola.
So, personal edits done. Next, I give the manuscript to beta readers, people I know who aren't as tightly tied to me as the alpha readers. Their job is pretty simple. They read the book and tell me how enjoyable it was. All I'm looking for from them is whether any parts weren't fun, or if I jumped the shark anywhere.
This is harder than you think, because of the major obstacle all writers face in proving themselves - reading requires effort, and lots of it. Even avid readers cannot be predicted to finish a book in any kind of reasonable time. Exactly one beta reader finished this weekend. She reported multiple times when she was unable to tear herself away and had long, unintended reading binges, and that she'd be afraid I would jump a shark and then when it happened, it would go smoothly and perfectly. Since those are things I'm proud of in my writing, I took that as all the useful feedback I was ever likely to get anyway.
Which means that yesterday I sent the manuscript to my publisher. Next? She'll send me editing notes for Book #1. After those are done, we'll edit Book #2. My part of book editing is really fast, just a few days. Hers may take longer. I only have to respond to her notes. She has to pore over the book in depth!
Off and on during the whole month the marketing team and I discussed cover art. I haven't heard anything from them in days, but it's not like they have to decide until the editing is done. Last thing to happen was me sending in a set of sketches of my various ideas that I got my alpha reader to lay out, since describing the ideas was difficult and imprecise.
What happens from here? I don't know! I've had some success getting back into writing A Sidekick's Tale in the last few days, but I'm also still tense as a violin string about getting this book all done.
I'll try to keep you informed.
Also, I'll try to process these photos of Louisville's supremely tacky clock.